Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Wednesday, March 14, 2012

'What Can the White Man Say to the Black Woman?' ~ Alice Walker

What is of use in these words I offer in memory of our common mother. And to my daughter.
What can the white man say to the black woman?
For four hundred years he ruled over the black woman’s womb.
Let us be clear. In the barracoons and along the slave shipping coasts of Africa, for more than twenty generations, it was he who dashed our babies brains out against the rocks.
What can the white man say to the black woman?
For four hundred years he determined which black woman’s children would live or die.
Let it be remembered. It was he who placed our children on the auction block in cities all across the eastern half of what is now the United States, and listened to and watched them beg for their mothers’ arms, before being sold to the highest bidder and dragged away.
What can the white man say to the black woman?
We remember that Fannie Lou Hamer, a poor sharecropper on a Mississippi plantation, was one of twenty-one children; and that on plantations across the South black women often had twelve, fifteen, twenty children. Like their enslaved mothers and grandmothers before them, these black women were sacrificed to the profit the white man could make from harnessing their bodies and their children’s bodies to the cotton gin.
What can the white man say to the black woman?
We see him lined up on Saturday nights, century after century, to make the black mother, who must sell her body to feed her children, go down on her knees to him.
Let us take note:
He has not cared for a single one of the dark children in his midst, over hundreds of years.
Where are the children of the Cherokee, my great grandmother’s people?
Gone.
Where are the children of the Blackfoot?
Gone.
Where are the children of the Lakota?
Gone.
Of the Cheyenne?
Of the Chippewa?
Of the Iroquois?
Of the Sioux?
Of the Mandinka?
Of the Ibo?
Of the Ashanti?
Where are the children of the Slave Coast and Wounded Knee?
We do not forget the forced sterilizations and forced starvations on the reservations, here as in South Africa. Nor do we forget the smallpox-infested blankets Indian children were given by the Great White Fathers of the United States government.
What has the white man to say to the black woman?
When we have children you do everything in your power to make them feel unwanted from the moment they are born. You send them to fight and kill other dark mothers’ children around the world. You shove them onto public highways in the path of oncoming cars. You shove their heads through plate glass windows. You string them up and you string them out.
What has the white man to say to the black woman?
From the beginning, you have treated all dark children with absolute hatred.
Thirty million African children died on the way to the Americas, where nothing awaited them but endless toil and the crack of a bullwhip. They died of a lack of food, of lack of movement in the holds of ships. Of lack of friends and relatives. They died of depression, bewilderment and fear.
What has the white man to say to the black woman?
Let us look around us: Let us look at the world the white man has made for the black woman and her children.
It is a world in which the black woman is still forced to provide cheap labor, in the form of children, for the factories and on the assembly lines of the white man.
It is a world into which the white man dumps every foul, person-annulling drug he smuggles into creation.
It is a world where many of our babies die at birth, or later of malnutrition, and where many more grow up to live lives of such misery they are forced to choose death by their own hands.
What has the white man to say to the black woman, and to all women and children everywhere?
Let us consider the depletion of the ozone; let us consider homelessness and the nuclear peril; let us consider the destruction of the rain forests_in the name of the almighty hamburger. Let us consider the poisoned apples and the poisoned water and the poisoned air and the poisoned earth.
And that all of our children, because of the white man’s assault on the planet, have a possibility of death by cancer in their almost immediate future.
What has the white, male lawgiver to say to any of us? To those of us who love life too much to willingly bring more children into a world saturated with death?
Abortion, for many women, is more than an experience of suffering beyond anything most men will ever know; it is an act of mercy, and an act of self-defense.
To make abortion illegal again is to sentence millions of women and children to miserable lives and even more miserable deaths.
Given his history, in relation to us, I think the white man should be ashamed to attempt to speak for the unborn children of the black woman. To force us to have children for him to ridicule, drug and turn into killers and homeless wanderers is a testament to his hypocrisy.
What can the white man say to the black woman?
Only one thing that the black woman might hear.
Yes, indeed, the white man can say, Your children have the right to life. Therefore I will call back from the dead those 30 million who were tossed overboard during the centuries of the slave trade. And the other millions who died in my cotton fields and hanging from trees.
I will recall all those who died of broken hearts and broken spirits, under the insult of segregation.
I will raise up all the mothers who died exhausted after birthing twenty-one children to work sunup to sundown on my plantation. I will restore to full health all those who perished for lack of food, shelter, sunlight, and love; and from my inability to see them as human beings.
But I will go even further:
I will tell you, black woman, that I wish to be forgiven the sins I commit daily against you and your children. For I know that until I treat your chil dren with love, I can never be trusted by my own. Nor can I respect myself.
And I will free your children from insultingly high infant mortality rates, short life spans, horrible housing, lack of food, rampant ill health. I will liberate them from the ghetto. I will open wide the doors of all the schools and hospitals and businesses of society to your children. I will look at your children and see not a threat but a joy.
I will remove myself as an obstacle in the path that your children, against all odds, are making toward the light. I will not assassinate them for dreaming dreams and offering new visions of how to live. I will cease trying to lead your children, for I can see I have never understood where I was going. I will agree to sit quietly for a century or so, and meditate on this.
This is what the white man can say to the black woman.
We are listening.

Tuesday, July 6, 2010

Daybreak in Alabama



When I get to be a composer
I'm gonna write me some music about
Daybreak in Alabama
And I'm gonna put the purtiest songs in it
Rising out of the ground like a swamp mist
And falling out of heaven like soft dew.
I'm gonna put some tall tall trees in it
And the scent of pine needles
And the smell of red clay after rain
And long red necks
And poppy colored faces
And big brown arms
And the field daisy eyes
Of black and white black white black people
And I'm gonna put white hands
And black hands and brown and yellow hands
And red clay earth hands in it
Touching everybody with kind fingers
And touching each other natural as dew
In that dawn of music when I
Get to be a composer
And write about daybreak
In Alabama.

~Langston Hughes

that photo is what daybreak looks like in Alabama. one beautiful thing about Alabama-the sunrise and the sunset are sublime.

Thursday, March 25, 2010

Stacey Ann Chin

sooooooo i just left from seeing Staceyann Chin at the Brooklyn Library. it was
AWESOME!!!
they had 13 or 14 other speakers that spoke prior to her. some rapped, some read poems, and some did spoken word...which, if you haven't seen it before, is somewhere in between rapping and reciting a poem; there is a flow one must have that is smooth at some points and choppy at others, humorous at times and heart achingly sad at others.
i've posted some of her videos in another post on here.

coming from a small town in Alabama, seeing famous people (famous in the sense that they have a book published, record deal, or have been on some type of television show) is startling, and surprisingly normal. most of the people i get roused about meeting (or spotting) are somewhat lesser known. so, like Sia (who was just chillin on a rail in Union Square) the famous people i notice aren't being attacked by droves of fans or escorted by bodyguards.

Staceyann came in maybe a half an hour before the event began, when it was just me, my pal Yvette and around 10 other people...just strolled in....shook the host's hand..said a few words...sat down and began to read through her papers.
do i go up to her and tell her i've made blog posts about her, posted her videos under my facebook status updates, tell her i've read her book and it almost made me cry, tell her that i've watched every single video she has on youtube and that i'm signed up for e-mail updates on upcoming shows from her website? ( ha...no, this is not stalker territory.) do i ask for an autograph? a photo? maybe i should have brought my copy of her book and asked her to address a small message to "Nell" on the inside.

but i didn't do any of those things. i have an issue with treating celebrities like celebrities. i don't like to get photos or autographs. to me, those things are just for validation for others ("see, i really did meet _____. here's a picture of me and her..."). but i really don't care if someone knows i met someone or not. pictures and autographs fade, disintegrate, and get lost. the moment of meeting or seeing someone is much more valuable. and that won't be going away any time soon (hopefully). i should have gone up to her, at least, and told her that her book meant a lot to me.

but...anywho....i did get to see her. she got the biggest reactions from the crowd. and if you ever get a chance to see her in person reading her poetry or speaking, you MUST go. she's so candid, honest an open with everything-about being a lesbian, about what she can do to a woman, about her pussy (a word she used this interchangably with "coco bread", "poonanny", "vagina" and "va-jay-jay"), about her rough childhood, masturbating for the first time, about growing older (she's 37), and about the homophobia of Jamaica.
she read 4 or 5 haikus and one about this idea that there are no gays in jamaica. i can't recall it exactly, but she said along the lines of "WHO'S PUSSY WAS I EATING?!"

at the end of this video, she does the reading where at the end, she yells "WHAT HAPPENED TO ME WAS NOT MY FAULT! WHAT HAPPENED TO ME WAS NOT MY FAULT! WHAT HAPPENED TO ME WAS NOT. MY. FAULT!" she did this poem at the end of her reading today too. i think its like therapy for her. screaming period can be therapy, right?

comment. check out some of her videos. read her book.

Monday, March 15, 2010

The Eskimos

the Eskimos
make 60 names for snow.
the Balinese
have words
for fifteen separate
degrees of trance.
i have spent my life
searching for the words, the names
to tell you who i am.
i am the eleventh trance
which comes within
the 27th kind of snow
i am the note between the ivories
if you play them both together
thats not it.
i am the color between navy blue and black
if you mix them both together
that is not it
i am the smell you have no words for
you say you like it
you say you don't like it
i ask you: do you know its name?
i believe that every lesbian Indian Jew
is exactly like me
and i believe in dreams of snow
in the nights of Bali.


~Barbara Ruth
from Past, Present & Future Passions
also in Making Face, Making Soul:Creative and Critical Perspectives by Feminists of Color edited by Gloria Anzaldua

Saturday, February 20, 2010

Sunni Patterson

i saw this video of Sunni Patterson a while back when i first discovered Def Poetry Jam via youtube because i didn't have HBO....and i liked it, but for some reason i've just now looked at her other videos. her voice sounds hundreds of years old in a very strong and comforting way that drags you into whatever point she is trying to make. i love it.